Sincerest Form of Flattery

Oct 20
2009
Swiss Re HQ in London

Swiss Re HQ in London

Everything around us comes from nature. Computers, toasters, steel mills, polyester, even superconducting super colliders, all “natural” in origin.

Technology is nothing more than a human byproduct.

However, most of our creations are mal-adapted. Unlike the byproducts of all other living beings, most things we’ve designed are not degradable, not reusable, not able to change with the environment or be reabsorbed by it.

If we can change this, we can better secure the future of our society, our species and our planet.

Can borrow from the way life has been designing for thousands and thousands of years and tangibly apply these lessons to our modern age?

This is a growing movement — highlighted by a recent talk given by Dayna Baumeister of the Biomimicry Guild at BuildGreen09 — and there are real-world examples already in production and use. A few of my favorites:

1. Eastgate Centre, Harare, Zimbabwe — Passive cooling

This office and retail complex was designed to be ventilated and cooled by entirely natural means, and was one of the first to do so. By using passive cooling, the building consumes around 10% of the energy needed by a similar conventional structure. For inspiration, architect Mick Pearce and his engineers looked to the locally common termite mounds, which are built to catch any breeze and pull cool air in from the earth while sun-warmed air vents out through flues on the top and sides.

Another structure borrowing this technique is the visually notable Swiss Re headquarters in London.

2. MothEye and MARAG™ films — Anti-reflective and anti-glare coatings

Top: close-up of moth's eye

Top: close-up of moth's eye Bottom: close-up of MARAG film

Moths rely on light sources to communicate and find food and mates. Their eyes, unlike most other animal species, do not glint in the night, which would distract from important light sources (such as your porch lamp…). Moth eyes are anti-reflective. This is achieved with a surface covered with many micro-cone-shaped protuberances, which break up the light and stop it from bouncing back uniformly. MacDermid Autotype has reproduced this type of patterned surface and developed non-toxic, non-reflective  films that can be used industrially.

When used to coat solar panels, for example, the non-reflective films will absorb much more energy from each ray of sun that hits. The easily-degradable anti-glare films are also used on computer and cell phone screens.

3. Insect Tape – Extra strength reusable adhesive

Almost half of the materials in our landfills end up there because of glue. For example, a simple chair of wood, metal and fabric is glued together so strongly that the parts simply cannot be separated in a reusable way. Most industrial adhesive is also toxic.

However, geckos and many insects walk on walls, and they don’t use suction to defy gravity. Instead, their feet are covered with rows of tiny hairs, that utilize molecular attraction to adhere to any surface. Scientists have begun producing tape and adhesives using this technique, resulting in glue-free products that can stick to dusty surfaces better, can be washed with soap and water, and can be reused multiple times.

4. Sto Lotusan — Self-cleaning exterior paint

Lotus Flower

Lotus Flower

Lotus flowers grow up through the muck of ponds and swamps and bloom into gorgeous, smooth, colorful flowers. The molecular structure of their petals makes it so that water not only rolls off, but carries with it any surface dirt. Companies like Sto Worldwide have mimicked these hydrophobic qualities, and produce exterior paint that is not only water-tight, but essentially self-cleaning, minimizing the need for detergents or for repainting at all.

These are all examples of the kind of design Dayna calls “fitting IN, instead of fitting ON.”

We need to keep stimulating this kind of innovation!

I’ll end with the same mantra she did, good advice for anyone, no matter what discipline or field.

~    GO OUTSIDE      ~      BREATHE      ~      LISTEN      ~      CREATE    ~

Dream Ball

Sep 18
2009

dreamball1Industrial design with a political conscience.

Unplug Design’s mantra is:

Pull out the plug from the system and plug in the community.

(ASIDE: While I am a fan of electronics, hopefully soon we will realize Tesla’s wireless energy transfer on a large scale, and not rely on plugs to be “connected” any longer.)

The Dream Ball is packaging.

Specifically, a packaging design idea for famine relief supplies.

After the supplies are unpacked, the pre-perforated cardboard containers can be easily weaved into soccer balls!

Does not seem that tough to implement. And if a small percentage actually use the balls for recreation, it’s worth it, versus simply creating more packaging waste.

The Dream Ball will be showcased at the London Design Festival, occurring next week, as part of Designersblock.

Unplug Design (whose website is currently down for me) is based in Seoul, which becomes apparent when reading the English step-by-step instructions for Dream Ball construction.

dreamball2

I think the main point gets across, anyway.

Kudos.

[via Core77 and GreenMuze]

Oops

Jul 11
2009

ugliest and silliestCourtesy of Andrej Statskij design studio in Latvia come the Oops Awards for bad product design.

In the search for new and original design ideas and executions, there have to be many misses.

Though many are relegated to design-showroom-only status, and never make it past prototyping, it’s fun to take a look at what we hope doesn’t appear in stores or homes.

The anonymous Oops Design Award Foundation began giving awards in 2008 for Ugliest, Silliest and Most Useless Product Design.

They have selected nominees for 2009.

One of the interesting concepts this award highlights is that bad and good design can be very subjective.

For example, as Core 77 notes, one of the chairs nominated for the 2009 Ugliest category has already won the Cicely & Colin Rigg Contemporary Design Award, which is totally serious and comes with a $30,000 prize.

Somewhat related, and definitely in my Oops category, is this house which is currently on the market for $4 million (recently slashed from $5.5 mil).

Comments on the hideous “live-in” scuplture ranged from “That just made my eyes throw up” to “Dr. Seuss on acid.”

But someone is bound to buy it, because it’s different.

Much like the apparel that shows up on the catwalk during fashion weeks around the world, these designs are pushing the edge of what we recognize as attractive, in the name of innovation.

I suppose looking at what’s bad helps us define what’s good.

Without rainy days, who would as much appreciate the sunny ones?

Social Interaction

Jul 01
2009

phila sketch clubI previously mentioned the Philadelphia Sketch Club, founded in 1860 by some famous Philadelphia artists on Camac Avenue (that of the wooden cobblestones).

Don’t think I ever read the historical sign that is currently posted in the Avenue, though. These signs, erected by the Pennsylvania Historical and Museum Commission since 1946, are studies in idea condensation.

Way before Twitter, the designers for these signs did a pretty great job compressing history, philosophy, biography and more into signs that measure approximately 1ft x 2ft and hold less than 250 characters.

This one holds a gem of a sentence. One that deserves more publicity than it’s small alleyway allows.

Artists found that social interaction enhanced the creation and appreciation of art.

Still does. Still does. Still going strong.

Why We Design

May 12
2009

Just a poignant note on how designing is a privilege, and important at the same time, by John McWade, publisher of Before & After Magazine.  He writes of a reader writing in from Haiti, a farmer-cum-desktop publisher, who says:

“I am coming to believe that pleasing design needs no apology, even, if not especially, in scientific publications. Our societies are now at the stage that a great number of us can not only appreciate the pleasures offered by good design, but almost demand that artistic expression be placed on the same level as informational expression. I’m not sure why, but it has much to do with why we are human.”

And John notes:

Such contrasts these are! Here is a reader, a farmer, who has worked 15 years in a nation where half the children are undernourished and 1 in 10 will die, 7 of 10 adults are illiterate, half the urban population has no access to safe water . . .

. . . pause here for a moment . . .

. . . writing to a magazine subtitled “How to design cool stuff”. . .

. . . inspired by what we do.

What accounts for this? How does design even exist in such an environment, much less inspire?

You might look again at what you do. You sit with a full tummy in your warm office at a blank screen with an ad to make, and you’re thinking, “Jeez, I have to come up with something original and clever and it better be soon.” That’s not how to think. As a designer you have a privilege, one that others do not. It is the privilege of making visible that which others can only imagine, feel or think. When you do this, you open a window through which your audience can see, know and understand.

Full post here.

Semantics vs Aesthetics

Apr 09
2009

The separation of content and style is a philosophy that is strongly encouraged in design, and especially web design these days.  The main idea is that this allows great flexibility. Colors and styles can be changed without affecting actual content — text or photos.  Different styles can be applied depending on how a visitor is viewing, such as via computer, mobile phone, or as a printed out version of a page.

It’s tricky to fully put into actual use, though, and most web designs I’ve seen or created mix style with content at least a small amount. 

The one exception is blogs — especially template-based blogs hosted on providers like typepad.com and wordpress.com.  In this case, the content must be separate from the style, because the front-end content is constantly changing, being updated and rearranged by the blogger.

Additionally, in order to maintain full functionality offered by these services, the back-end, behind the scenes content also has to stay the same (for the most part), and can’t be changed or accessed by a designer at all.

This was the challenge I faced in redesigning the blog from my previous post to match the rest of my client’s (totally custom built) website.  I learned quite a bit more than I knew before about CSS styling during this project.  Perhaps I will post some tips on what I discovered. In general, a success.

Residual Chance

Apr 02
2009

I was recently reminded of the saying, “Luck is the residue of design.”  This quote* was the title of a lecture given in the 1950’s by Branch Rickey, former Major League Baseball executive. He was most famous for initiating the integration of major league sports by signing Jackie Robinson to the Dodgers in 1947.

I am a believer in this saying. How to put the concept to use is another question.

One can pretty easily design to have bad luck. For example: get drunk at a bar and drive home while speeding. High chance of bad luck finding you, in one of a myriad of ways.

Good luck is not quite so easy to run into. We don’t know in advance what juxtapositions will be useful to us, and it’s certainly not only high-minded, “good angel” decisions that allow for fortunate chance meetings or ideas. 

My current best  guess on how to design for good luck is to follow your own instincts. Make each decision your own, and make sure you are doing what you truly want to be doing, at every single moment over which you have control.

That way your residue trail will be something you can appreciate and be proud of.

*It seems the full title is actually “Luck is the Residue of Opportunity and Design,” which is a bit more obvious but less interesting.

Minimalist Design

Mar 27
2009

Sometimes I question my attraction to minimalism. When I work it’s usually a battle between my personal appreciation for minimalist design and the reality of a world filled with loud, noisy, look-at-me layouts. Shola Olunloyo

In advertising and marketing, you must get noticed. Get attention. A Call to Action! should shout from the moment a visitor first views the design, or else that visitor will quickly skip on to others. But what grabs the visitor doesn’t need to be a lot. It can be clean simplicity instead.

Most customers want attention-grabbing layouts. Usually I compromise my desired look by adding elements and colors.

In the case of my most recent website design, there was no such compromise, and I’m pleased with the results; the synchronicity of my and my client’s aesthetic.

www.sholaolunloyo.com