Center City Philadelphia is in the midst of an urban renaissance.

For the first time since the 1950’s the census will show an increase in the city’s population.

The city’s restaurant scene is exploding with tons of new spots, including our new Iron Chef star Jose Garces’ & Philly pioneer Stephen Starr’s recent openings with more on the way.

However, funding for public spaces is scarce. (See: threat of no holiday lighting in Rittenhouse Square; on a larger scale, major downsizing & possible closures of the entire Pennsylvania park system.)

Because of this, several neighborhoods are leaning on the restaurant boom: Cafe Cret opened on the Ben Franklin Parkway, and Franklin Square enjoyed great success bringing in SquareBurger.

South Street Headhouse District might be next.

A multi-step improvement plan is in the works. Philly Councilman Frank DiCicco secured money for the already-completed first phase. This past week saw the dedication of a new fountain at 2nd & Lombard.

The fountain, which had been in disrepair, now boasts a child-friendly, rubberized basin, colorful LED lighting and more seating. New, programmable water jets feature an ananemometer to measure wind speed and automatically adjust the height of the spray.

On one side of the fountain sit the Headhouse Shambles — home to one of Philly’s biggest & best farmers’ markets. On the other currently sits a mishmosh of parking spaces & asphalt.

Cope Linder Architects, who provided the design for Phase 1, have ready a preliminary design for this area which would reclaim much of the space from cars.

It involves an expanded, landscaped pedestrian walkway from the fountain up to the South Street end of the block, where a pavilion with a café will be built. Such a café might bring not only a steady stream of revenue from concession sales, but also encourage more pedestrian traffic for neighboring establishments.

Barry Essinger of Cope Linder even brought up the possibility of closing off the whole street on weekends or holidays, creating a vibrant. car-free mall like those in Buenos Aires or the new Times Square.

South Street is already morphing into a much nicer, more upscale tourist destination. This redevelopment would be a welcome bridge from South to historic Society Hill, and even all the way to Independence Mall and Old City.

Build it! (and they will come….)

What have all tiles been missing up to this point? Change. Most tiles, however beautiful, are static. Still. They are what they are.

Not any more. Moving Color offers up several lines of temperature-sensitive glass tiles.

Using anywhere between 20 – 80% recycled materials, this patent-pending product is offered in a multitude of styles and base colors.

Each tile changes color with the temperature, either ambient or via the touch of a human or of water.

The tiles can be carefully customized, with colors or patterns, so design opportunities abound.  Bob Tonjes uses them to create “paintings” that change throughout the day.

From refined to organic to psychedelic, these chromatic slabs can be applied indoors or out.

At $29 per tile, they are not for everywhere, but can be well-placed as accents on fireplaces, outdoor tables, showers and more.

To really get a better idea of the changing beauty of these installations be sure to check out some of the flash animations on the company website.

[Via Gajitz by way of @phi162]

Swiss Re HQ in London

Everything around us comes from nature. Computers, toasters, steel mills, polyester, even superconducting super colliders, all “natural” in origin.

Technology is nothing more than a human byproduct.

However, most of our creations are mal-adapted. Unlike the byproducts of all other living beings, most things we’ve designed are not degradable, not reusable, not able to change with the environment or be reabsorbed by it.

If we can change this, we can better secure the future of our society, our species and our planet.

Can borrow from the way life has been designing for thousands and thousands of years and tangibly apply these lessons to our modern age?

This is a growing movement — highlighted by a recent talk given by Dayna Baumeister of the Biomimicry Guild at BuildGreen09 — and there are real-world examples already in production and use. A few of my favorites:

1. Eastgate Centre, Harare, Zimbabwe — Passive cooling

This office and retail complex was designed to be ventilated and cooled by entirely natural means, and was one of the first to do so. By using passive cooling, the building consumes around 10% of the energy needed by a similar conventional structure. For inspiration, architect Mick Pearce and his engineers looked to the locally common termite mounds, which are built to catch any breeze and pull cool air in from the earth while sun-warmed air vents out through flues on the top and sides.

Another structure borrowing this technique is the visually notable Swiss Re headquarters in London.

2. MothEye and MARAG™ films — Anti-reflective and anti-glare coatings

Top: close-up of moth's eye Bottom: close-up of MARAG film

Moths rely on light sources to communicate and find food and mates. Their eyes, unlike most other animal species, do not glint in the night, which would distract from important light sources (such as your porch lamp…). Moth eyes are anti-reflective. This is achieved with a surface covered with many micro-cone-shaped protuberances, which break up the light and stop it from bouncing back uniformly. MacDermid Autotype has reproduced this type of patterned surface and developed non-toxic, non-reflective  films that can be used industrially.

When used to coat solar panels, for example, the non-reflective films will absorb much more energy from each ray of sun that hits. The easily-degradable anti-glare films are also used on computer and cell phone screens.

3. Insect Tape – Extra strength reusable adhesive

Almost half of the materials in our landfills end up there because of glue. For example, a simple chair of wood, metal and fabric is glued together so strongly that the parts simply cannot be separated in a reusable way. Most industrial adhesive is also toxic.

However, geckos and many insects walk on walls, and they don’t use suction to defy gravity. Instead, their feet are covered with rows of tiny hairs, that utilize molecular attraction to adhere to any surface. Scientists have begun producing tape and adhesives using this technique, resulting in glue-free products that can stick to dusty surfaces better, can be washed with soap and water, and can be reused multiple times.

4. Sto Lotusan — Self-cleaning exterior paint

Lotus Flower

Lotus flowers grow up through the muck of ponds and swamps and bloom into gorgeous, smooth, colorful flowers. The molecular structure of their petals makes it so that water not only rolls off, but carries with it any surface dirt. Companies like Sto Worldwide have mimicked these hydrophobic qualities, and produce exterior paint that is not only water-tight, but essentially self-cleaning, minimizing the need for detergents or for repainting at all.

These are all examples of the kind of design Dayna calls “fitting IN, instead of fitting ON.”

We need to keep stimulating this kind of innovation!

I’ll end with the same mantra she did, good advice for anyone, no matter what discipline or field.

~    GO OUTSIDE      ~      BREATHE      ~      LISTEN      ~      CREATE    ~

The room is only there for a year, July 2009-July 2010, and it was put in place by a crane.

Only 12 reservations are available each day, and only for a few moments as the clock ticks over to 10 am Paris time.

You don’t get to pick your menu, nor your accompanying beverages.

But Art Home Paris might well be the most awesome restaurant in the world right now.

Designed by minimalist architect Pascal Grasso, the temporary structure sits atop the Palais de Tokyo museum, with a sweeping view of downtown Paris and the Eiffel Tower.

The dining space is called Nomiya, after a restaurant in Japan, seats 12, and is encased in floor to ceiling glass on three sides.

Chef Gilles Stassart’s open kitchen is protected by a metal skein, perforated in patterns reminiscent of the Aurora Borealis.

Meticulously prepared and plated with an eye for spatial design, the food is reportedly excellent.

Most online reviews are for lunch, instead of dinner, though. Reservations for dinner are simply too hard to score.

Guests can see the whole kitchen, and are invited to ask questions of the chef while he is plating.

Tours of the space are offered daily, as are workshops with the culinary director.

A garden sits on the roof level slightly below the restaurant, providing herbs and vegetables for the kitchen.

Though English words, the name of the restaurant is cleverer than it first appears: in French it is pronounced “arôme” (aroma).

Beautiful & delicious.

[via Shola & dezeen]

Courtesy of Andrej Statskij design studio in Latvia come the Oops Awards for bad product design.

In the search for new and original design ideas and executions, there have to be many misses.

Though many are relegated to design-showroom-only status, and never make it past prototyping, it’s fun to take a look at what we hope doesn’t appear in stores or homes.

The anonymous Oops Design Award Foundation began giving awards in 2008 for Ugliest, Silliest and Most Useless Product Design.

They have selected nominees for 2009.

One of the interesting concepts this award highlights is that bad and good design can be very subjective.

For example, as Core 77 notes, one of the chairs nominated for the 2009 Ugliest category has already won the Cicely & Colin Rigg Contemporary Design Award, which is totally serious and comes with a $30,000 prize.

Somewhat related, and definitely in my Oops category, is this house which is currently on the market for $4 million (recently slashed from $5.5 mil).

Comments on the hideous “live-in” scuplture ranged from “That just made my eyes throw up” to “Dr. Seuss on acid.”

But someone is bound to buy it, because it’s different.

Much like the apparel that shows up on the catwalk during fashion weeks around the world, these designs are pushing the edge of what we recognize as attractive, in the name of innovation.

I suppose looking at what’s bad helps us define what’s good.

Without rainy days, who would as much appreciate the sunny ones?

More on LEGOs: Jan Vormann is a German artist who “patches” holes and decay in buildings with Lego bricks!

This makes for wonderfully interesting juxtapositions of the brightly colored plastic rectangles with the old, graying, non-uniform stones and cement of old structures.

Jan has created this artwork — which, in true German-language style, he calls “dispatchwork” — to several cities, including Tel Aviv, Israel, Bocchignano, Italy and Berlin, Germany.

The work has a very different feel in each of the locales, and all are intriguing.

In Berlin, most of the patchwork was done on bullet holes and destruction left-over from World War II. In Italy, near Rome, I imagine the decay was simply from age. In Israel, the artist was specifically invited to “repair” some old walls by the curators of Darom Gallery in Tel Aviv.

It would be fun to revisit the sites in 50 years and see the relative effects of time on the newer plastic vs. the old stone.

UPDATE: Where could we do this in Philly?

[Via Wired and Twittter]

 Legos rule. Let’s get that out of the way straight off. Hours of endless fun, for kids and (if you are so lucky as to be around a kid who has them) for adults.

And in the grown-up vein, just announced: Frank Lloyd Wright Collection® LEGO® Architecture Building Sets.

Released on May 15 at the opening of the Frank Lloyd Wright exhibit at the Guggenheim, these are the first sets available from the new LEGO Architecture division (which is so new their website isn’t fleshed out yet).

Playing with legos as a kid, I always felt torn when building from “sets” — those boxes of bricks and special parts that could go together to create a specific structure (castle, helicopter, working tow truck, etc.). I kind of preferred building free-form instead.

But these new Wright sets, and presumably others in the Architecture series, really can teach the user about good architecture! And because of the beautiful way legos are designed — with uniformity in the interlocking parts — nothing says you can’t also use these sets in free-form manner.

A great direction for this iconic toy company.

[Via prairie mod and core 77]